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Amanda Lantz InteriorsSave Photo
4. Layered for Comfort

Designer: Amanda Lantz Interiors
Location: Carmel, Indiana
Size: 300 square feet (28 square meters); 17 feet, 4 inches by 17 feet, 4 inches

Homeowners’ request. “The homeowners envisioned a primary bedroom that felt restful, layered and exceptionally comfortable,” says designer Amanda Lantz. “Their primary concern was creating a space that would support quality sleep while still feeling warm and inviting. To achieve complete light control, we incorporated a Lutron drapery track with blackout-lined drapery across the window wall, along with Lutron shades flanking either side of the bed. Beyond functionality, the homeowners were drawn to a rich mix of textures and soft materials that would create a cozy retreat. Layered textiles, luxurious fabrics and plush rugs were thoughtfully incorporated throughout the room to add depth, warmth and a sense of everyday comfort.”

Moody details. “To create a moody and inviting atmosphere, we focused on layering rich materials, deep tones and tactile textures throughout the space,” Lantz says. “A dark wool-and-silk area rug serves as the foundation of the room, creating a striking contrast against the hardwood flooring while providing a dense, luxurious texture underfoot. Warm, rich wood tones in the furnishings add depth and character, balancing the darker palette with a sense of natural warmth. The drapery fabric was intentionally selected to draw from the tones within the rug and carry them vertically throughout the room, helping to envelop the space in deep, rich tones.”

Designer tip. “One design principle I frequently use is the thoughtful distribution of color throughout a space,” Lantz says. “Rather than introducing a color in only one place, I like to repeat it at least three times within a room to create a sense of balance and cohesion. In this bedroom, tones found in the area rug were carried into the drapery and accent pillows, helping the room feel layered, intentional and visually connected.”

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This couple purchased a pied-à-terre in Chicago’s Holden Block building, an Italianate-style landmark dating back to the rebuilding period following the Great Chicago Fire in 1871. Designed by architect Stephen Vaughn Shipman and built in 1872, the building is a standout, as many other Chicago commercial loft buildings were demolished to make way for skyscrapers. Its ornately carved Buena Vista sandstone facade earned it landmark status. The building’s conversion to residential condos in the 1990s was thoughtful, but the original kitchen in this unit did not celebrate the building’s history or architecture.

The owners brought in trusted designer Laura O’Brien of O’Brien Harris, who had designed two other kitchens for them in the past. The first kitchen she designed for them was classic white, while the second featured dramatic black. “This time they were ready for something entirely different — a moody, colorful space that embraces color in a way that feels timeless and unexpected,” O’Brien says. The new kitchen nods to the building’s industrial history and its elegant facade.



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4. Dark Green, Black and Greige

Designer: Giana Shorthouse of Studio Giana
Location: Atlanta

Homeowners’ request. “The original kitchen was small, cramped and lacked storage and space to gather with friends and family,” designer Giana Shorthouse says. “It was remodeled to an expansive and multifunctional kitchen that includes a range of more function, spanning from the island and range wall to the custom-designed pantry, wall-to-wall china storage, a separate bar and a reworked butler’s pantry. We also built it out to include an adjacent covered outdoor space that carries the space from inside to outside.”

Shorthouse uses Houzz Pro business software to manage projects. “I use it for proposals, invoicing, purchase orders, and time and expenses,” she says.

Dark and moody features. Dark warm-green island base (Andiron, Sherwin-Williams). Black-framed stools. Black pendant lights. “We went dark to give the space a richer and more dynamic feeling,” Shorthouse says. “The homeowners had lived in the home for over a decade with old, nonfunctioning windows and years of white paint, so when it came to colors we decided to go dark to give the space dimension and a richness it was missing before. Coming from prior years of loft living, the homeowners’ personal style reflects a more modern and industrial perspective, so when it came to finishes, we chose black to honor their personal style. Mixing dark green, black and aged brass details allowed us to blend their more modern outlook in a home that was fit for a more traditional style. I designed the island base with more classic detailing and color in mind but paired it with a more modern waterfall countertop to add contrast to the style.”

Other special features. Warm greige perimeter cabinets (Skipping Stone, Benjamin Moore). Pacific White marble countertops and backsplash.

Designer tip. “Balance through contrast,” Shorthouse says. “When you look at the material selections, you’ll notice that there is an inherent balance between materials because I chose to place darker materials next to lighter materials to create a lot of contrast.”

“Uh-oh” moment. “We had a construction mishap with the installation of the flooring,” Shorthouse says. “We chose to go with a limestone floor, and due to the settling in the home between the original foundation and the new foundation underneath the new addition, we started seeing cracks in the floor shortly after install, which had to be repaired and wasn’t ideal for such a beautiful flooring selection.”

Stools: Asher, Jamie Young; faucet: Lombardia, Rohl; wall, ceiling and trim paint: Alabaster, Sherwin-Williams

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