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3. Workstation Sinks Evolve

Workstation sinks are continuing to gain traction for their ability to streamline prep, cleanup and entertaining in a single zone. Typically defined by built-in ledges and sliding accessories — such as cutting boards, colanders and racks — they maximize counter space while improving workflow. At KBIS 2026, the category expanded with larger sizes, more refined materials and accessories designed to move easily from sink to table.

A strong example is Kohler’s new Synthos workstation sink system. Featuring oversize stainless steel basins, multilevel ledges and smoothly sliding accessories, it’s designed to support prepping, rinsing, soaking and serving in one continuous flow. Available in widths up to 72 inches, Synthos reflects how workstation sinks are becoming more customizable, more social and more central to how today’s kitchens function.



This article was originally published by a www.houzz.com . Read the Original article here. .



3. Smarter Workstation Sinks

Workstation sinks are continuing to gain traction for their ability to streamline prep, cleanup and entertaining in a single zone. Typically defined by built-in ledges and sliding accessories — such as cutting boards, colanders and racks — they maximize counter space while improving workflow. At KBIS 2026, the category expanded with larger sizes, more refined materials and accessories designed to move easily from sink to table.

A strong example is Kohler’s new Synthos workstation sink system. Featuring oversize stainless steel basins, multilevel ledges and smoothly sliding accessories, it’s designed to support prepping, rinsing, soaking and serving in one continuous workflow. Available in widths up to 72 inches, Synthos reflects how workstation sinks are becoming more customizable, more social and more central to how today’s kitchens function.



This article was originally published by a www.houzz.com . Read the Original article here. .



Ocean screen, Eleanor Pickin

1. Decorative Reuse

The theme of this year’s event was Material Evolution, an idea that embraced not just the new, but the reused and reinvented as well, and there were plenty of examples of reworked waste materials across the show.

But while we’ve become used to the idea of plastic bottles made into countertops and construction waste being turned into bricks, what felt so inspiring were the numerous examples of waste materials being reinvented in intricate and beautiful ways.

The most striking piece was by “Emerging Talent” Eleanor Pickin, who uses industry offcuts and discarded veneers to craft exquisite marquetry. Her Ocean Screen (pictured) depicts an undersea world and, in addition to looking beautiful, serves to remind us of the need to take care of fragile ecosystems.

It’s full of detail (note the emerging octopus, bottom right), has a night scene on the back, and can be commissioned in sections, depending on the size of screen required.

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There was no escaping the prominence of new lighting designs at the recent Maison & Objet trade fair, which took place Jan. 15-19 at the Paris Nord Villepinte exhibition center. Across the seven halls, lighting featured in almost all areas. While lighting is always a focus for building interiors, the brands displaying their designs at the show confirmed that, beyond the practicalities of illumination, light is core to interesting and beautiful room designs. We round up the looks to watch — sculptural masterpieces, statement fixtures, quirky additions and high-tech options.

Erreur 404 lights, James Haywood Studio. Photo by Piet-Albert Goethals

1. Sculptural Art Forms

Artistic expression shone throughout the exhibition with the fair’s emphasis on bridging historical craftsmanship with modern, sustainable and often digital innovation. A return to local or ancestral techniques was seen in the prevalence of handblown glass pendants, paper shades cast into organic forms and the use of industrial materials.

James Haywood Studio’s monolithic 8-foot (245cm) Erreur 404 light was featured in the Curatio installation. Dubbed an exploration of synthetic geology — objects shaped by contemporary hands yet carrying the weight and silence of deep time — it is composed of quartzite, mica and more than 100 natural minerals drawn from the artist’s personal collection and bound using a natural mineral resin. Find an interior designer on Houzz

Ale Casanovas lights

Ale Casanovas uses paper as her material of choice. The French-Argentine artist showcased moldings, each made by hand and created individually as a one-of-a-kind object or in a small series. She also creates luminous sculptures using LED technology and welded metal, wood and other materials, carefully selecting them to combine with paper to ensure the pieces are high-quality, repairable and recyclable.

Dolmen lights by Lorenzo Zanovello for Il Fanale

Another notable lighting sculpture was the Dolmen design by Lorenzo Zanovello for Il Fanale. Each piece is handcrafted using a coil-building technique, the oldest known to humankind, according to the brand.

Dew Drops pendant light, Bomma

2. Abstract Nature

While the natural world has long been inspiring interior collections, the pieces have become more abstract. Designers are looking to minutiae for their creations, and those at Bomma found inspiration in dew-bedecked blades of grass for the aptly named Dew Drops collection. The pendant light provides a striking focal point, and the line also includes floor, wall and table lamps. Each features crystal globes with an internal light source adhered tightly to handsewn bands.

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Le Gigine pendant, Knikerboker

At the Knikerboker booth, the brand showed its bestselling Le Gigine multibulb pendant. Made of steel, it features leaf-shaped hammered metal hangings with a tea-light-style fixture providing the illumination.

Rita wall lights, Aromas

Aromas went bold with its natural influences, grouping its Rita floral-shaped wall light by Nacho Timón to create this feature at its booth.

Kokeshi lamps, Pulpo

3. Lamps Go Oversize

Substantial lamps were also on view, many of them with sculpted bases and generous heights. The standout offering was Pulpo’s Kokeshi light by Kai Linke. The designer has an affinity for Japan and used the traditional kokeshi dolls and their lean, oval shape as inspiration. With a ceramic torso and handblown glass head, the stylized piece comes in 5-foot (1500mm), 3⅔-foot (1125mm) and 2½-foot (756mm) heights.

6 Interior Design Trends From Maison & Objet 2026

Bridge light, Tonone. Photo by Anne-Emmanuelle Thion

4. Linear Looks

Although seemingly simple, linear lighting shone a spotlight on both quality engineering and creative details. Like a real bridge, the Bridge collection by Tonone has various supports to distribute the load evenly along the lamp’s length. The pieces are made from recycled plexiglass, with the power to the LED bulb conducted by the steel cables used for hanging.

Frame light, 101 Copenhagen

The 101 Copenhagen booth included its Frame pendant, which is designed to showcase the light source itself. Perforated metal and a rounded glass casement balance sharpness and softness in an industrial look that fits with the trend toward quiet luxury.

Materials matter when a design is restrained. At the Grand Collection booth, veined alabaster was the material of choice in its Mario and Gio linear chandeliers.

Deco Phytia wall light and Voila pendants, Ferroluce

5. Bold Color

In a sea of neutrals, brands such as Ferroluce stood out. The company describes light as not merely functional, but as “emotion, character and personality bringing optimism, authenticity and vitality into everyday spaces. It is an invitation to play with style, blending past and present with lightness and irony, never taking itself too seriously.”

The products on display at the brand’s booth were testament to that: The colorful Voila pendant light and the Deco Phytia wall light boldly caught the eye.

Simple shapes with a focus on color and shape were also seen at the Valerie Objects booth, where its tubular Uno collection by Piovenefabi in vivid red and green took center stage.

D02 suspension pendant, Olivelab

6. Flexible Styles

As today’s homes adapt to changing needs and serve multiple purposes — from work to relaxation — lighting must be flexible as well. Styles that can be altered and arranged on installation and beyond offer a design-led solution.

Utu debuted its Flow collection, which features LED tubes flowing between lacquered metal and travertine marble elements that can be arranged on walls and ceilings in different shapes.

Meanwhile, Olivelab showed its Stoccolma lamp, which features two tension cables and a spring mechanism to position the bulb at the point required. It also highlighted the D02 suspension pendant, seen here, with customizable lengths and number of bulbs.

Erika large chandelier by Corey Damen Jenkins for Eichholtz

7. Jewelry Reimagined

Of his new exclusive lighting collaboration with Eichholtz, interior designer Corey Damen Jenkins said, “Lighting has always been the jewelry of a room…. I wanted to disrupt that, and Eichholtz was the perfect partner to break the mold and create something unexpected.”

His opulent Erika chandelier is inspired by the glamour of 1920s couture and Art Deco style.

8 Lighting Trends That Will Be Big in 2026

Chain Light, Barratt & Maxine. Photo by Anne-Emmanuelle Thion

The duo behind Barratt & Maxine’s Chain Light is made up of a lighting designer and a jeweler, bringing the two worlds together in a fresh outlook on illumination. The product is the first from the brand, and the links can be configured in varying lengths and swoops.

La Languochat pendant light. Photo by Anne-Emmanuelle Thion

La Languochat featured its striking pendant designed by I. Royer and V. Carlotti as part of the “What’s New? In Decor” space. Some might say it resembles a stylish earring with pleasing movement.

Vidé Creation

8. Mesh Metals

Mesh metalwork featured across brands, including the sculptural pieces by Vidé Creation and as part of the Ukrainian Neo-Folklore exhibit (next photo).

Luccino light sculpture by Valerii Kuznetsov and Otto Winken

The collective brought together native creators from Ukraine, many of whom looked back to revive heritage craftsmanship with modern applications. For example, designers Valerii Kuznetsov and Otto Winken displayed the Luccino light sculpture, made of copper.

Val Luminex bathtub, Laufen

9. Experiential Lighting

Showcasing the benefits of lighting as part of a well-being ritual, the Laufen booth presented its Val Luminex bathtub. The translucent cast-mineral material Sentec allows atmospheric lighting to project from the LED in the base, controlled via remote to set the intensity and colors.

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Li-Fi speaker, Horizon

Elsewhere, the Light Trend installation Horizon by French-Japanese designers Akari-Lisa Ishii and Motoko Ishii took visitors on a sensory journey that married lighting and technology. It featured Li-Fi, a communication technology that uses light to transmit data. The designers demonstrated the innovation’s potential by playing music data downloaded via Li-Fi through a speaker.



This article was originally published by a www.houzz.com . Read the Original article here. .



Ukrainian Neo-Folklore exhibit, including Guculiya pottery, bottom right

5. Heritage Crafts

The theme of Maison & Objet 2026 was “Past Reveals Future,” an intriguing concept that relates to the way design pieces are made. Brands looked back to reveal traditional manufacturing techniques that can be used or interpreted for creations that suit today’s interiors.

While some preserve tradition, others combine high-tech production with artisanal skills. Whether it be in textiles, hand-painted wallpaper, pottery or objects made of wood or glass, the key is allowing the story of the process to be heard.

Ukrainian brand Guculiya, founded by designer, architect and researcher Danuta Kril, champions an almost-lost pottery technique, Gavarechchyna, named for the western Ukraine region where it originated and survives today, according to the company. The smoky black pottery is baked in a wood-burning oven, where smoke seeps into the clay to oxidize and darken it. Modern shapes and time-honored process combine in the collection.



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2. Aging-in-Place Planning Moves to the Forefront

Designing for aging and long-term needs is becoming a bigger priority in kitchen remodels. More than half of renovating homeowners (53%) address current or future special needs in their kitchen projects — up 3 percentage points from the previous year. These include updates for aging household members, pets, household members with disabilities and young children. While fewer renovating homeowners expect the special needs to arise within the next year (25%, down 4 points), most are planning ahead: 52% anticipate needs emerging in five or more years, with smaller shares looking one to two years out (9%) or three to four years out (14%).

Aging-related updates are driving the shift. Among renovating homeowners addressing current needs, nearly one-third (31%) focus on aging household members, up 5 points year over year. Planning for future aging needs is even more common, at 41% (up 6 points). By comparison, far fewer renovating homeowners design for pets (8% current; 5% future), household members with disabilities (6% current; 7% future) or young children (5% for both), with several of these categories declining year over year.

When homeowners do plan for aging, they overwhelmingly prioritize safety and ease of use. Nine in 10 (90%) include accessibility features, a 2-point increase from the previous year. As this graphic shows, pullout cabinets lead the list (59%), followed by additional lighting (51%) and wide drawer pulls (44%). Rounded countertops (34%) and nonslip flooring (32%) are also popular, while more specialized upgrades — such as wheelchair-accessible doorways (21%), lower fixtures (15%) and lower countertops (5%) — remain less common.



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Forina Design & Co.Save Photo
4. Warm, Earthy Colors Everywhere

Terra cotta, sage, olive green, dusty blue, muted pastels, creamy beiges, browns, taupes and buttery yellows are taking over interiors. “The reign of all-white interiors and icy gray palettes has definitely come to an end,” says color specialist Jennifer Ott. “Homeowners are now craving warmth, richness and depth in their spaces. For those who still prefer lighter palettes, stark whites are giving way to warmer neutrals that are sun-warmed and tactile — think canvas, parchment or soft stone gray. These hues add subtle depth while maintaining a sense of calm and brightness.”

Kitchens feature terra-cotta-colored tile backsplashes and sage cabinetry, while living rooms lean into buttery yellows, warm taupes and olive accents layered with natural textures like linen, wool and rattan. Bedrooms and bathrooms are embracing muted blues and greens for a soothing, restorative feel, and even entryways and home offices are benefiting from warmer palettes that create inviting spaces rather than stark or clinical ones. “Clients have been increasingly drawn to warm, nature-inspired tones in their kitchen designs, particularly incorporating earthy hues like terra cotta, soft beige and sage green,” says designer Donna Rose. “This trend aligns with the broader shift toward biophilic, nature-inspired design.”

This New Jersey living room by Forina Design showcases the warmth of woodsy tones. Like many of the pros featured in this story, Forina Design subscribes to Houzz Pro. Moody green sofas, deep beige wallpaper, wood accents and touches of yellow, gold and blue create a layered, inviting space that feels both organic and vibrant.

9 Paint Colors Poised to Dominate in 2026



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Remote work may no longer dominate the U.S. labor force as it did during the height of the pandemic in 2020, but it still represents a substantial share of employment today. According to the latest data from the Current Population Survey (CPS), approximately 34.3 million employed people teleworked or worked at home for pay in April 2025. The telework rate, which represents the number of people who teleworked as a percentage of people who were working, was 21.6% in April, and it has consistently ranged between 17.9% and 23.8% between October 2022 and April 2025.

Of those who teleworked in April, more than half teleworked for all their working hours, while the remaining teleworked for some, but not all, of their work hours.

The distribution of telework across the U.S. workforce continues to reflect deeper patterns shaped by gender, age, education, occupation, and industry. The following insights are based on an analysis of monthly CPS data.

Gender: Women Lead in Telework

Women continue to outpace men in remote work participation.

Nearly 25% of employed women worked from home in April 2025.

In contrast, about 19% of employed men teleworked.

This gender gap reflects employment trends. Many women are employed in professional, administrative, or office-based roles. These fields transitioned smoothly to remote work during the pandemic and have largely maintained hybrid or fully remote options. Additionally, the growing rate of college completion among women1 has pushed more women into positions that are structurally suited to telework. Flexibility remains a priority, especially for women balancing work and caregiving responsibilities, further reinforcing the demand for work-from-home arrangements.

Age: Older Workers Are More Likely to Telework

Age also plays a major role in who works remotely. Workers aged 25 and older are more likely to telework than their younger counterparts.

Ages 16–24: Only 6.2% worked from home.

Ages 25–54: About 24% reported teleworking.

Ages 55+: Around 23% worked remotely.

Younger workers tend to fill entry-level roles in retail, hospitality, and service sectors that require in-person attendance. Meanwhile, older workers are more likely to have progressed in their careers into managerial or specialized roles where remote work is feasible or even expected.

Education: Higher Degrees, Higher Telework Rates

Education remains one of the strongest indicators of telework status. Higher educational attainment is positively associated with a higher telework rate.

No high school diploma: Just 3.1% worked remotely.

High school graduates, no college: 8.4% teleworked.

Some college or associate degree: 17.3% reported working from home.

Bachelor’s degree or higher: 38.3% worked remotely.

Higher educational attainment often leads to employment in knowledge-based sectors such as finance, information technology, consulting, and research. These roles often depend on digital communication tools and independent project-based tasks, making them well-suited for remote settings.

Occupation: Business and Financial Operations, and Professionals Dominate Remote Work

Not surprisingly, occupation heavily influences access to teleworking. Jobs that require physical presence, such as those in food service, transportation, manufacturing, and construction, naturally offer limited remote opportunities. In contrast, people employed in professional and technical fields report the highest telework rate, especially those working in computer and mathematical roles.

Industry trends mirror these occupational divisions. Certain sectors have fully embraced telework, particularly finance, information services, and professional and business services. These industries often prioritize flexibility and are structured in ways that make remote work not only possible but efficient. On the other hand, industries like construction, leisure and hospitality remain firmly grounded in physical spaces and in-person involvement. In these fields, work is inherently tied to locations and equipment that cannot be replicated remotely. The construction industry had a telework rate of just 9.8% in April, and leisure and hospitality reported an even lower rate of 8.1%.

Looking Ahead:

Remote work is not disappearing; it is evolving. The opportunity to work from home is increasingly concentrated among individuals with higher education levels, white-collar job titles, and positions in tech-driven or office-based industries. Meanwhile, those who are younger, have less educational attainments, or work in manual or service-based roles remain largely tied to traditional, in-person work.

For the future, we don’t know if telework will expand to become more inclusive or continue reinforcing existing divides in education and job roles. For now, the data suggests that remote work is here to stay, but only for some.

Note:

“U.S. women are outpacing men in college completion, including in every major racial and ethnic group”, Pew Research Center.

Connor Borkowski and Rifat Kaynas, “Telework trends,” Beyond the Numbers: Employment & Unemployment, vol. 14, no. 2 (U.S. Bureau of Labor Statistics, March 2025),



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7. Watery Glass

Earthy, handworked materials such as stitched leather, woven grasses, veined stone, handmade pottery and distressed metal have been important elements of lighting collections at High Point Market for the last several years. But perhaps no natural material has been manipulated in as many ways as glass. Seeded, bubbled, striated, sandblasted, stretched, stained, smoked, clouded and fluted, it continues to add artistry and dimension to fixtures, often in combination with other artisanal elements.

At the fall market, the new horizon for glass seemed to be using it to create the illusion of raindrops, melting ice and flowing water. Currey & Co.’s new Morning Grove chandelier, for example, has long, slender crystal drops that look like icicles hanging from a circle of woven wrought-iron twigs.



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Reinforcing this trend, several new design collaborations with heritage wallcovering and fabric houses made splashes at the market. For example, Morris & Co.’s new The Unfinished Works collections, a collaboration with The Huntington museum in Southern California, was celebrated at Woodbridge Furniture. A few designs are featured here, including a wallpaper border. (Yes, these are back too!) Liberty of London collaborated with Hickory Chair to reimagine some of its patterns, which looked beautiful covering Hickory Chair’s classic designs. And Pooky Lighting introduced a colorful collection of shades with English textile company GP&J Baker, founded in 1884.



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