This article was originally published by a www.houzz.com . Read the Original article here. .
This is the view looking toward the back of the house. The structure is shaped like a T, with two bedrooms on either side of the central corridor. Despite the small square footage, Brown was able to carve out two bedrooms and two bathrooms, plus a small loft reached by ladder that can function as a sleeping or hangout space. In the main living area, which has open but well-defined living, dining, cooking and entry zones, a 12-foot ceiling helps to add a sense of lightness and spaciousness.
For the interior design, Brown brought in Michael Ferzoco of Eleven Interiors, with whom he’d worked before. Both describe the process of creating the home as a true collaboration. “This team of interior designers, landscape architects [and] builders was really a joy to work with, and it all stemmed from these clients because they wanted to understand and hear everyone’s ideas,” Brown says.
Early on, the homeowners had shared with Eleven Interiors their inspiration photos — including some they’d found on Houzz — of spaces that had fairly traditional seaside motifs and colors. But the designers encouraged their clients to think less literally. “In one of the images that they sent to us, there was a beautiful sunset of the actual bay that the house sits on … and we took that as the central cue in developing the color scheme and the concept for the interior,” Ferzoco says. The beach and seagrass outside the windows provided yet more inspiration. The floors and ceiling trusses, for example, are sand-colored whitewashed bleached white oak. The result is a coastal look that’s not too on-the-nose.
This article was originally published by a www.houzz.com . Read the Original article here. .
This homeowner had fond childhood memories of spending time in her mom’s best friend’s house. So when an opportunity came up to buy the home, she jumped at it. She then hired interior designer Susan Yeley, who uses Houzz Pro business software, to perform a careful update that honored the home’s roots while giving it modern-day comforts. Wood-paneled walls wrap the interior in warmth. Vintage midcentury furnishings nod to the home’s origins. The kitchen features an inviting white-and-wood palette with new appliances. The primary bedroom boasts ample built-in storage. Colorful artwork throughout the home and monkey-shaped tile in the laundry room add playful punches.
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This article was originally published by a www.houzz.com . Read the Original article here. .
Cost-effective moves in the kitchen include using ready-made cabinets, natural butcher block countertops and inexpensive backsplash tiles. Lowry continued the same paint color palette, adding in Sherwin-Williams Fawn Brindle for the cabinets, which she painted herself. The artwork and vintage pieces, the high backsplash and the brass hardware elevate the look of the value-engineered kitchen.
“When collecting art and furnishings, I like to keep a story in mind,” Lowry says. For this Hill Country cottage near a lake, creeks and rivers, the story was rustic and romantic.
“I typically lean toward vintage photos, and I looked for vintage lake photos,” Lowry says. “One thing I like to do is buy a digital download online, print it locally and put it in a vintage or ready-made frame. It makes it look custom for an affordable price.”
This article was originally published by a www.houzz.com . Read the Original article here. .
For the interior design, Brown brought in Michael Ferzoco of Eleven Interiors, with whom he’d worked before. Both describe the process of creating the home as a true collaboration. “This team of interior designers, landscape architects [and] builders was really a joy to work with, and it all stemmed from these clients because they wanted to understand and hear everyone’s ideas,” Brown says.
Early on, the homeowners had shared with Eleven Interiors their inspiration photos — including some they’d found on Houzz — of spaces that had fairly traditional seaside motifs and colors. But the designers encouraged their clients to think less literally. “In one of the images that they sent to us, there was a beautiful sunset of the actual bay that the house sits on … and we took that as the central cue in developing the color scheme and the concept for the interior,” Ferzoco says. The beach and seagrass outside the windows provided yet more inspiration. The floors and ceiling trusses, for example, are sand-colored whitewashed bleached white oak. The result is a coastal look that’s not too on-the-nose.