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5. Avoid Plastic Where Possible
It can be surprising how much plastic we use in the landscape. There are those single-use black pots that garden center plants come in, for example, as well as plastic seed trays, plant labels and twine.
But with a little thought, you can replace these unsustainable items with more environmentally friendly alternatives. Use wooden labels and traditional garden string, and seek out garden centers that will recycle the black plant pots. Also, hunt around for biodegradable seed trays that will break down into the soil when they reach the end of their lifespan.
When you’re planning outdoor structures such as greenhouses, opt for glass instead of plastic if possible. The initial cost may be higher, but a model glass will last a lot longer than a cheaper plastic one.
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Designer Lionel Jadot at the What’s New? In Hospitality exhibit. Photo by Anne-Emmanuelle Thion
Designer of the Year
In another sign revealing the importance of including more sustainability in design and our homes, this edition of the show was led by Belgian designer Lionel Jadot, who is based in Zaventem near Brussels and was awarded Designer of the Year by Maison & Objet. This title recognizes a remarkable career, marked by an inventive and committed approach ever since he began working in the family factory at the age of 18.
Supported by a collective of local designers who are fully on board with this process, Jadot showcased his working methods through scenography entitled What’s New? In Hospitality. His inspiring hotel suite highlighted the use of sustainable materials, recycling and upcycling.
“Each object or material used in this project has already had another life traced back to other projects we’re currently working on in the hospitality sector,” he says.
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House at a Glance
Who lives here: A couple with five children between them
Location: Var region, Provence, France
Size: Five bedrooms and four bathrooms on three floors
Designers: Stephanie Bailey and Jo Miller of Decorbuddi
The owner bought this former olive farm in 2024 as a place he and his wife could share with friends and extended family. He wanted a warm and livable design, with sustainable choices throughout and a “wow” moment here and there. “He didn’t want anything so precious that if he broke it, he would be weeping,” Bailey says.
The owner loves Moroccan style, but has worked all over the world. “He’s lived in India, Sri Lanka and Nepal and is really well traveled,” Bailey says. “He has lovely textiles, amazing bold colors and a lifetime’s collection of interesting art and objects in his London house. When Jo and I were presenting mood boards to him there, we saw it and were like, OK, we get what he likes.”
Miller agrees. “To start with, the owner wanted Moroccan and he wanted color, but we swiftly realized he wanted a world look,” she says. “The challenge was to offer him that kind of aesthetic, but to incorporate it within a French farmhouse.”
The walls in the hall and landing are painted a warm pinky beige shade. “We wanted it to be really ambient and a bit moody in there, and we knew we had good lighting going in that this tone would work with,” Bailey says.
Miller sourced the old table in France. “We had to have it cut down or it wouldn’t have fitted here,” she says. “It was more like a table than a console originally.”
Hall and landing wall paint: Leather V, Paint & Paper Library; table: Pamono