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The halls of the Maison & Objet 2026 trade fair, held Jan. 15-19 at the Paris Nord Villepinte exhibition center, were ablaze with interior inspiration and new product launches. But an area that stood out for its creativity was the Eco Responsible Design Collective. Bringing together a curated group of brands that have developed sustainable material solutions without compromising on aesthetics, the bustling booths drew much attention.

Throughout the show, messages of lessening environmental impact with sustainable materials, circular manufacturing practices and a more mindful approach to design were seen in interior architecture, decoration and furniture. Here, we spotlight nine of the companies championing an ecological approach and out-of-the-box thinking to transform waste into beautiful pieces.

FabBrick table in Jungle Gradient with metal top

1. Fabric Bricks

Bold, colorful and no doubt a design statement, the furniture designed by Clarisse Merlet, architect and founder of FabBrick, is made by stacking bricks created from repurposed textiles. Unwanted fabric remnants are collected primarily from the brand’s clients in France, ensuring traceability and coherence throughout the process, and transformed into products for the home.

Soft to the touch, the material is juxtaposed with sculptural metal to form a tabletop or a chair, and wood and glass can also feature. The bricks can also be used as a wall covering. There are nine colors and three patterns, and custom shades can be developed.

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Adaozañ. Photo by Youenn Le Pocréau

2. Apples for Architecture

Ever wondered what happens to apple waste after apples are pressed to make juice and cider? Neither did we — until we discovered Adaozañ. The brand takes vast amounts of apple pomace — a wet, acidic mass made up of apple flesh, skin and seed waste — from the cider industry in Brittany and turns it into a 100% natural, biodegradable construction material.

With an appearance similar to cork or chipboard, it can be worked like wood and drilled, screwed or assembled using carpentry methods. It can also be laser-cut, CNC-engraved or printed with text or a logo. Once moisture-treated, it is resistant to humidity.

Plush line by Pierreplume. Photo by Sarah Annie Photographie

3. Toys Reimagined

Pierreplume specializes in creating acoustic materials for architecture and interiors — all made from recycled fibers. With a mission to encourage a more environmentally friendly approach to design, the brand’s latest launch is the Plush line. It is the first recycling channel for end-of-line plush toys, turning them into wall coverings that are aesthetically pleasing and functional.

According to the brand, more than 5,000 tons of plush toys are thrown away each year in France, where the team is based. They are collected, sorted by color, hard points removed, stuffing and skins separated and then frayed and finely blended to form five usable materials in shades of brown and pink.

6 Interior Design Trends From Maison & Objet 2026

Sonite Solid Surfaces

4. Sustainable Surfaces

Based in Thailand, Sonite champions a circular view to homeware production. From tableware and furniture to tiles and countertops, the brand makes its products using upcycled materials such as hemp, coconut fibers, rice husk, button scrap, coffee grounds, eggshell and PET bottles.

For example, the Scapa line is an innovative material that resembles reconstituted stone made from used thermoset plastic, while Husk is made of rice husks discarded as part of the milling process in agriculture.

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Purefin wallcoverings, Vescom

5. Walls for Well-Being

The trend toward a healthy home continues to grow. In Paris, Vescom showcased its Purefin line of wallcoverings, which feature low-emission materials designed for better air quality. The olefin-based product is free of PVC, plasticizers, chlorine, heavy metals, formaldehyde, halogenated flame retardants and phthalates, resulting in lower VOC levels inside the home.

The material comes in two embossed designs that have a natural, chalky look. Concreed is more rough and rugged and Lynn has a linen-like appearance inspired by traditional plant-based weaving materials.

25 Home Design Trends Defining How We’ll Live in 2026

Gwëmon

6. From the Sea

Working with seaweed harvesters less than 30 miles from its studio in North Finistère, France, Gwëmon’s new material is made from more than 90% brown algae and contains no petroleum-based glues or resins. It can be used for a variety of applications, including cladding, furniture and accessories, and features a distinctive flecked earthy appearance true to its raw state.

The solid material is made by grinding the seaweed into flakes, forming it with a natural binder and molding it into the desired shape before air drying for 14 days at a low temperature to stiffen. Once dry, it’s fashioned into products such as door handles and tabletops.

Les Matériaux Urbains

7. A New View

When eyewear is discarded, what happens to the frames? Les Matériaux Urbains has decided to turn them into lighting and other stylish pieces.

This lamp at the Eco Responsible Design Collective has a tortoiseshell look reminiscent of eyewear in the same style — an homage to a previous life.

10 Lighting Trends That Lit Up Maison & Objet 2026

Atmosphere & Bois

8. Reclaimed Timber

From Canada to Europe, Belgian brand Atmosphere & Bois has launched a collection of furniture made of wood recovered from Canadian barns and old wagon beds, giving new life to a material rich in heritage.

Once sourced, the planks are treated and assembled into new pieces such as tables, seating and storage using traditional carpentry methods. The brand also offers wall cladding and custom designs, including kitchen cabinets.

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“Forest Song” by Iryna Konakova, Levada

9. Fashion Into Art

Displayed as part of the Ukrainian Neo-Folklore installation at the show, Iryna Konakova’s brand Levada showed how used clothes can become pieces of art when recycled.

Iryna handcrafts textile art using 100% pre-owned clothing, with each vibrant piece reflecting the multicolored traditional ornaments and embroideries typical of Ukraine’s Poltava region, where she was born and still works.

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There was no escaping the prominence of new lighting designs at the recent Maison & Objet trade fair, which took place Jan. 15-19 at the Paris Nord Villepinte exhibition center. Across the seven halls, lighting featured in almost all areas. While lighting is always a focus for building interiors, the brands displaying their designs at the show confirmed that, beyond the practicalities of illumination, light is core to interesting and beautiful room designs. We round up the looks to watch — sculptural masterpieces, statement fixtures, quirky additions and high-tech options.

Erreur 404 lights, James Haywood Studio. Photo by Piet-Albert Goethals

1. Sculptural Art Forms

Artistic expression shone throughout the exhibition with the fair’s emphasis on bridging historical craftsmanship with modern, sustainable and often digital innovation. A return to local or ancestral techniques was seen in the prevalence of handblown glass pendants, paper shades cast into organic forms and the use of industrial materials.

James Haywood Studio’s monolithic 8-foot (245cm) Erreur 404 light was featured in the Curatio installation. Dubbed an exploration of synthetic geology — objects shaped by contemporary hands yet carrying the weight and silence of deep time — it is composed of quartzite, mica and more than 100 natural minerals drawn from the artist’s personal collection and bound using a natural mineral resin. Find an interior designer on Houzz

Ale Casanovas lights

Ale Casanovas uses paper as her material of choice. The French-Argentine artist showcased moldings, each made by hand and created individually as a one-of-a-kind object or in a small series. She also creates luminous sculptures using LED technology and welded metal, wood and other materials, carefully selecting them to combine with paper to ensure the pieces are high-quality, repairable and recyclable.

Dolmen lights by Lorenzo Zanovello for Il Fanale

Another notable lighting sculpture was the Dolmen design by Lorenzo Zanovello for Il Fanale. Each piece is handcrafted using a coil-building technique, the oldest known to humankind, according to the brand.

Dew Drops pendant light, Bomma

2. Abstract Nature

While the natural world has long been inspiring interior collections, the pieces have become more abstract. Designers are looking to minutiae for their creations, and those at Bomma found inspiration in dew-bedecked blades of grass for the aptly named Dew Drops collection. The pendant light provides a striking focal point, and the line also includes floor, wall and table lamps. Each features crystal globes with an internal light source adhered tightly to handsewn bands.

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Le Gigine pendant, Knikerboker

At the Knikerboker booth, the brand showed its bestselling Le Gigine multibulb pendant. Made of steel, it features leaf-shaped hammered metal hangings with a tea-light-style fixture providing the illumination.

Rita wall lights, Aromas

Aromas went bold with its natural influences, grouping its Rita floral-shaped wall light by Nacho Timón to create this feature at its booth.

Kokeshi lamps, Pulpo

3. Lamps Go Oversize

Substantial lamps were also on view, many of them with sculpted bases and generous heights. The standout offering was Pulpo’s Kokeshi light by Kai Linke. The designer has an affinity for Japan and used the traditional kokeshi dolls and their lean, oval shape as inspiration. With a ceramic torso and handblown glass head, the stylized piece comes in 5-foot (1500mm), 3⅔-foot (1125mm) and 2½-foot (756mm) heights.

6 Interior Design Trends From Maison & Objet 2026

Bridge light, Tonone. Photo by Anne-Emmanuelle Thion

4. Linear Looks

Although seemingly simple, linear lighting shone a spotlight on both quality engineering and creative details. Like a real bridge, the Bridge collection by Tonone has various supports to distribute the load evenly along the lamp’s length. The pieces are made from recycled plexiglass, with the power to the LED bulb conducted by the steel cables used for hanging.

Frame light, 101 Copenhagen

The 101 Copenhagen booth included its Frame pendant, which is designed to showcase the light source itself. Perforated metal and a rounded glass casement balance sharpness and softness in an industrial look that fits with the trend toward quiet luxury.

Materials matter when a design is restrained. At the Grand Collection booth, veined alabaster was the material of choice in its Mario and Gio linear chandeliers.

Deco Phytia wall light and Voila pendants, Ferroluce

5. Bold Color

In a sea of neutrals, brands such as Ferroluce stood out. The company describes light as not merely functional, but as “emotion, character and personality bringing optimism, authenticity and vitality into everyday spaces. It is an invitation to play with style, blending past and present with lightness and irony, never taking itself too seriously.”

The products on display at the brand’s booth were testament to that: The colorful Voila pendant light and the Deco Phytia wall light boldly caught the eye.

Simple shapes with a focus on color and shape were also seen at the Valerie Objects booth, where its tubular Uno collection by Piovenefabi in vivid red and green took center stage.

D02 suspension pendant, Olivelab

6. Flexible Styles

As today’s homes adapt to changing needs and serve multiple purposes — from work to relaxation — lighting must be flexible as well. Styles that can be altered and arranged on installation and beyond offer a design-led solution.

Utu debuted its Flow collection, which features LED tubes flowing between lacquered metal and travertine marble elements that can be arranged on walls and ceilings in different shapes.

Meanwhile, Olivelab showed its Stoccolma lamp, which features two tension cables and a spring mechanism to position the bulb at the point required. It also highlighted the D02 suspension pendant, seen here, with customizable lengths and number of bulbs.

Erika large chandelier by Corey Damen Jenkins for Eichholtz

7. Jewelry Reimagined

Of his new exclusive lighting collaboration with Eichholtz, interior designer Corey Damen Jenkins said, “Lighting has always been the jewelry of a room…. I wanted to disrupt that, and Eichholtz was the perfect partner to break the mold and create something unexpected.”

His opulent Erika chandelier is inspired by the glamour of 1920s couture and Art Deco style.

8 Lighting Trends That Will Be Big in 2026

Chain Light, Barratt & Maxine. Photo by Anne-Emmanuelle Thion

The duo behind Barratt & Maxine’s Chain Light is made up of a lighting designer and a jeweler, bringing the two worlds together in a fresh outlook on illumination. The product is the first from the brand, and the links can be configured in varying lengths and swoops.

La Languochat pendant light. Photo by Anne-Emmanuelle Thion

La Languochat featured its striking pendant designed by I. Royer and V. Carlotti as part of the “What’s New? In Decor” space. Some might say it resembles a stylish earring with pleasing movement.

Vidé Creation

8. Mesh Metals

Mesh metalwork featured across brands, including the sculptural pieces by Vidé Creation and as part of the Ukrainian Neo-Folklore exhibit (next photo).

Luccino light sculpture by Valerii Kuznetsov and Otto Winken

The collective brought together native creators from Ukraine, many of whom looked back to revive heritage craftsmanship with modern applications. For example, designers Valerii Kuznetsov and Otto Winken displayed the Luccino light sculpture, made of copper.

Val Luminex bathtub, Laufen

9. Experiential Lighting

Showcasing the benefits of lighting as part of a well-being ritual, the Laufen booth presented its Val Luminex bathtub. The translucent cast-mineral material Sentec allows atmospheric lighting to project from the LED in the base, controlled via remote to set the intensity and colors.

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Li-Fi speaker, Horizon

Elsewhere, the Light Trend installation Horizon by French-Japanese designers Akari-Lisa Ishii and Motoko Ishii took visitors on a sensory journey that married lighting and technology. It featured Li-Fi, a communication technology that uses light to transmit data. The designers demonstrated the innovation’s potential by playing music data downloaded via Li-Fi through a speaker.



This article was originally published by a www.houzz.com . Read the Original article here. .



Ukrainian Neo-Folklore exhibit, including Guculiya pottery, bottom right

5. Heritage Crafts

The theme of Maison & Objet 2026 was “Past Reveals Future,” an intriguing concept that relates to the way design pieces are made. Brands looked back to reveal traditional manufacturing techniques that can be used or interpreted for creations that suit today’s interiors.

While some preserve tradition, others combine high-tech production with artisanal skills. Whether it be in textiles, hand-painted wallpaper, pottery or objects made of wood or glass, the key is allowing the story of the process to be heard.

Ukrainian brand Guculiya, founded by designer, architect and researcher Danuta Kril, champions an almost-lost pottery technique, Gavarechchyna, named for the western Ukraine region where it originated and survives today, according to the company. The smoky black pottery is baked in a wood-burning oven, where smoke seeps into the clay to oxidize and darken it. Modern shapes and time-honored process combine in the collection.



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Pixa chair by Hugo Charlet

3. Uncurved Seating

Although chairs have been adopting comforting, wraparound shapes with domed curves for a few years, this fair saw the return of sharp, straight lines. That’s one of the things we noticed in creations by young designers, including Hugo Charlet, the young graduate selected by Paris Design Week Factory to showcase his designs for the first time.

The initiative chose to put the spotlight on his Pixa collection, a line of robust, rustic furniture designed for outdoor spaces. Their thick legs and oversized proportions are intriguing, but the manufacturing method also deserves attention. The collection is designed using a unique type of board made from pressure-treated pine for optimal resistance, making manufacturing as straightforward as possible while minimizing off-cuts and waste.



This article was originally published by a www.houzz.com . Read the Original article here. .



Pixa chair by Hugo Charlet

3. Uncurved Seating

Although chairs have been adopting comforting, wraparound shapes with domed curves for a few years, this fair saw the return of sharp, straight lines. That’s one of the things we noticed in creations by young designers, including Hugo Charlet, the young graduate selected by Paris Design Week Factory to showcase his designs for the first time.

The initiative chose to put the spotlight on his Pixa collection, a line of robust, rustic furniture designed for outdoor spaces. Their thick legs and oversized proportions are intriguing, but the manufacturing method also deserves attention. The collection is designed using a unique type of board made from pressure-treated pine for optimal resistance, making manufacturing as straightforward as possible while minimizing off-cuts and waste.



This article was originally published by a www.houzz.com . Read the Original article here. .



Curatio space by Thomas Haarmann. Photo by Anne-Emmanuelle Thion

Surrealism on Display

Exhibitors at the event aced the surrealist theme with lots of enchanting designs.

“The guiding principle for this show is an utterly wild and colorful theme that encourages us to break the rules,” said interior architect Harmonie Henrio during a Formae/Archistorm discussion. “It makes me think of the mood of Poor Things with Emma Stone and also the images created using [AI design tool] Midjourney. You see a mix and match of objects and environments, as Thomas Haarmann did by bringing together different artists, materials, scales and eras in his Curatio space (pictured) and making them interact, which also invites us to free ourselves from established conventions.”



This article was originally published by a www.houzz.com . Read the Original article here. .



Designer Lionel Jadot at the What’s New? In Hospitality exhibit. Photo by Anne-Emmanuelle Thion

Designer of the Year

In another sign revealing the importance of including more sustainability in design and our homes, this edition of the show was led by Belgian designer Lionel Jadot, who is based in Zaventem near Brussels and was awarded Designer of the Year by Maison & Objet. This title recognizes a remarkable career, marked by an inventive and committed approach ever since he began working in the family factory at the age of 18.

Supported by a collective of local designers who are fully on board with this process, Jadot showcased his working methods through scenography entitled What’s New? In Hospitality. His inspiring hotel suite highlighted the use of sustainable materials, recycling and upcycling.

“Each object or material used in this project has already had another life traced back to other projects we’re currently working on in the hospitality sector,” he says.



This article was originally published by a www.houzz.com . Read the Original article here. .



Maison & Object, the twice-annual international meeting of decoration, design and lifestyle professionals, returned to the Paris Norde Villepinte Exhibition Center on Sept. 5-9, 2024. The design fair showcased the main colors that will illuminate tomorrow’s furniture, coverings and accessories collections. The palette of new products at the September show was earthy and natural, bringing back into fashion the flagship shades of 1970s design in a retro-futuristic atmosphere.

1. The Return of Brown

Brown, which has been off the radar for several years, is making a comeback this fall, bringing with it all the nostalgia of the ‘70s. Warm, it is found mainly in tones of fawn and caramel. The fall collection by Dutch brand Dutchbone is proof of this, as the hue is used on numerous accessories and pieces of furniture such as the Appolo stool in Terra, pictured.

9 Ways Designers Are Using Warm Neutral Colors Right Now

2. Heather Gray With a ‘70s Feel

Another key ‘70s hue, heather gray, was also very much in evidence on the show floor this year, as a favorite for seating textiles and sofas. It helps to create a retro aesthetic, as in this suite from Dutchbone. Heather fabrics are generally in vogue and can be found enhancing other shades, such as brown.

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3. Autumnal Ochers

The new season envelops interiors in warm colors, with ocher hues taking center stage. They can be found as much on bed linens and accessories as on wall coverings. The new Aubusson collection from French wallpaper maker Papermint is proof of this, with the Douce Montage pattern featuring these soft, warm tones on a mountainous landscape.

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4. Beige and Its Variations

Continuing the trend of warm tones, beige and its sister shades are widely present this year in the collections of various suppliers, creating a new mineral palette far from the cold rocky tones we’re used to seeing. Zuiver’s Saigon tapi is a perfect example, softening the nuances between grays and beiges.

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5. From Cream to Bronze

One of the trends to emerge from this Maison & Objet is neutrality, with the idea of leaving more room for the environment surrounding the interior. Purity is the order of the day, with cream and beige tones, sometimes tending toward bronze. We find them here on the walls with another Papermint product: the L’envol du Héron print from the new Aubusson collection.

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6. Terra Cotta Tends Toward Orange

Alongside these natural shades are brighter, more vivid colors. While terra cotta has been a favorite in interior design palettes in recent years, it is now giving way to orange. Increasingly present, it is generally seen in the form of small touches as an interior illuminator. These vases by Oustao Cicada are one example.

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7. Shimmering Colors

Shimmering tones are the next big color trend this year. Inspired by new technologies, it has a futuristic aesthetic with its multicolored reflections reminiscent of rainbow hues, and its shimmering effects. Imperfettolad’s Beetle line is a perfect example of this with its iridescent fiberglass seats inspired by the shine of a beetle.

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8. Wine Sediment Makes a Comeback

Halfway between burgundy and raspberry, wine sediment is also making a comeback this year, with hints of eggplant and even purple for the more daring. This is one of the shades chosen by Gimmic Design to adorn one of its office chairs. In addition to being stylish, they are also part of a circular economy approach to waste reduction.

5 Ways Designers Are Working With Rich Warm Tones Right Now

Photo by Anne-Emmanuelle Thion

9. Cosmic Blue

Blue also features prominently in exhibitors’ new collections. In its darkest forms, sometimes bordering on ultramarine, it recalls the theme of the sky, the cosmos. It was at the heart of the What’s New in Decor scenography, imagined as every year by renowned trendsetter Elizabeth Leriche.

10 Paint Colors Ready to Take Over in 2024



This article was originally published by a www.houzz.com . Read the Original article here. .

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