This article was originally published by a www.houzz.com . Read the Original article here. .
When you purchase a property that’s been standing for hundreds of years, the prospect of renovating it might be daunting. How do you make it suitable for modern living without destroying the original beauty of the building?
Fortunately, the new owner of this 15th-century house was an experienced interior designer, Beth Dadswell of Imperfect Interiors, who had the skill and vision to put her stamp on it without taking away its character. The cottage was originally part of the oldest building in town, a coach inn, so with this legacy in mind, Dadswell sensitively transformed it from a dated, cramped space into a bright, cozy and functional weekend retreat.
This article was originally published by a www.houzz.com . Read the Original article here. .
It’s a stunning site, surrounded by woodland and mature trees, which Davies pulled into the design as borrowed views. The new pool sits low in the landscape, and Davies layered perennials, shrubs and more trees into the banks of the slopes, which he manipulated into terraces.
Plants here include ‘Caradonna’ sage (Salvia nemorosa ‘Caradonna’, USDA zones 4 to 9; find your zone), lamb’s ears (Stachys byzantina, zones 4 to 9), white Jupiter’s beard (Centranthus ruber ‘Albus’, zones 5 to 8) and ‘Walker’s Low’ catmint (Nepeta racemosa ‘Walker’s Low’, zones 3 to 8).
“I call this the Carpinus bank,” Davies says, referring to the row of five box-pruned hornbeams that punctuates the stretch. The clipped trees echo the thatched roof. “There’s a sense of the thatch being a clipped material,” he says.
Note: Lamb’s ears and Jupiter’s beard can be aggressive spreaders, depending on where you live and your garden’s conditions. Check with a landscape designer or your local nursery before planting.
This article was originally published by a www.houzz.com . Read the Original article here. .
This is the view looking toward the back of the house. The structure is shaped like a T, with two bedrooms on either side of the central corridor. Despite the small square footage, Brown was able to carve out two bedrooms and two bathrooms, plus a small loft reached by ladder that can function as a sleeping or hangout space. In the main living area, which has open but well-defined living, dining, cooking and entry zones, a 12-foot ceiling helps to add a sense of lightness and spaciousness.
For the interior design, Brown brought in Michael Ferzoco of Eleven Interiors, with whom he’d worked before. Both describe the process of creating the home as a true collaboration. “This team of interior designers, landscape architects [and] builders was really a joy to work with, and it all stemmed from these clients because they wanted to understand and hear everyone’s ideas,” Brown says.
Early on, the homeowners had shared with Eleven Interiors their inspiration photos — including some they’d found on Houzz — of spaces that had fairly traditional seaside motifs and colors. But the designers encouraged their clients to think less literally. “In one of the images that they sent to us, there was a beautiful sunset of the actual bay that the house sits on … and we took that as the central cue in developing the color scheme and the concept for the interior,” Ferzoco says. The beach and seagrass outside the windows provided yet more inspiration. The floors and ceiling trusses, for example, are sand-colored whitewashed bleached white oak. The result is a coastal look that’s not too on-the-nose.
This article was originally published by a www.houzz.com . Read the Original article here. .
This is the view looking toward the back of the house. The structure is shaped like a T, with two bedrooms on either side of the central corridor. Despite the small square footage, Brown was able to carve out two bedrooms and two bathrooms, plus a small loft reached by ladder that can function as a sleeping or hangout space. In the main living area, which has open but well-defined living, dining, cooking and entry zones, a 12-foot ceiling helps to add a sense of lightness and spaciousness.
For the interior design, Brown brought in Michael Ferzoco of Eleven Interiors, with whom he’d worked before. Both describe the process of creating the home as a true collaboration. “This team of interior designers, landscape architects [and] builders was really a joy to work with, and it all stemmed from these clients because they wanted to understand and hear everyone’s ideas,” Brown says.
Early on, the homeowners had shared with Eleven Interiors their inspiration photos — including some they’d found on Houzz — of spaces that had fairly traditional seaside motifs and colors. But the designers encouraged their clients to think less literally. “In one of the images that they sent to us, there was a beautiful sunset of the actual bay that the house sits on … and we took that as the central cue in developing the color scheme and the concept for the interior,” Ferzoco says. The beach and seagrass outside the windows provided yet more inspiration. The floors and ceiling trusses, for example, are sand-colored whitewashed bleached white oak. The result is a coastal look that’s not too on-the-nose.
This article was originally published by a www.houzz.com . Read the Original article here. .
One of the homeowners loves to cook and bake. The other’s interest in the culinary arts lies primarily in enjoying food. “The cook had a lot of specialty tools and gadgets he wanted to use,” Rachaman says. “He cooks Asian food a lot and wanted specific places to put things like the small bowls he likes to serve it in.” The designers planned storage to house items like this, as well as spices, mixing bowls, baking sheets and cutting boards. The homeowner also has a large cookbook collection, and the designers tailored the island to house them.
One quirky part of the renovation involved one of the homeowners’ cold morning swims in Lake Washington. “He hangs his wetsuit to dry in the coat closet,” Emhoff says. “He wanted the fridge to back up to this closet so the heat coming off it would help dry the wetsuit.” There’s a vented wall between the back of the fridge and the coat closet.
Cabinetry: Bellmont Cabinet; cabinet paint: Olympic Range, Sherwin-Williams; wall paint: Pink Ground, Farrow & Ball
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