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Kitchen of the Week: Light-Filled Addition for a 1920s Home

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Built in the 1920s, this Colonial Revival home in Providence, Rhode Island, was rich with period character, including Craftsman-style detailing. But the kitchen didn’t share in that charm. Small and inefficient, it fell short for a family with two young daughters. Looking for a space that better supported everyday life, the homeowners hired Jonathan Chambers Architects, Wescott Building & Remodeling and Three Sparrows Interior Design to create an addition that would expand the kitchen and make it more family-friendly.

To integrate the addition, the remodeling team took the existing kitchen down to the studs for a full overhaul. Interior designer Nicole Martel worked closely with the couple to develop a layout tailored to how they wanted to use the space and choose finishes that felt appropriate for the home’s period architecture. The new kitchen features an island large enough to seat the whole family, a second oven for holiday cooking and a walk-in pantry concealed behind false cabinet doors.



This article was originally published by a www.houzz.com . Read the Original article here. .

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Kitchen of the Week: Wood and Black Elegance in a 1920s Colonial

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Photos by Andrea Rugg Photography

Kitchen at a Glance
Who lives here: A couple
Location: South Minneapolis, Minnesota
Size: 225 square feet (21 square meters)
Design-build firm: Bluestem Remodeling

The kitchen features custom Shaker-style cabinets in a mix of black and wood units. Polished gold-tone knobs and pulls add refined accents. “The clients were really interested in not having a monolithic look with their cabinetry,” says Mark Ferraro-Hauck, director of design at Bluestem Remodeling. “I love the repeated black throughout the room, but it’s not a black kitchen.”

Wide-plank white oak flooring has a special sealer that preserves its natural, unfinished appearance. “It integrates really well with the rest of the house, giving it a consistent flow,” Ferraro-Hauck says. “We didn’t want the kitchen to feel completely separate from the rest of the house.”

A large sliding glass door opens the kitchen to the patio and backyard. “Their backyard is their summer living room,” Ferraro-Hauck says. A double-hung window on the same wall adds another source of daylight and fresh air.

Custom cabinetry: Sean’s Cabinetry

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This article was originally published by a www.houzz.com . Read the Original article here. .

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Houzz Tour: 1920s Home Sensitively Updated in Phases

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The phrase “worth the wait” is probably an understatement when it comes to this gorgeous English home, as the owners did have to exercise quite a bit of patience. Pandemic restrictions meant renovations to the tired 1920s property spanned two years and the work had to be divided into three phases.

“The owners saw the house in early 2020,” designer Natalie McHugh of N&K Interiors says. “They were keen to get going on extending it for their family and found us on Houzz when they searched local design and build companies, but COVID delayed everything.”

In September 2020, the team tackled a bathroom and four bedrooms, one of which was turned into a playroom, as well as changing all the windows and got the family in for Christmas. In January, they started the two-story side addition — laundry room, mudroom, powder room, living room and bedroom suite. The remaining work was completed in 2022, resulting in a home that’s both highly functional and full of warmth and character.



This article was originally published by a www.houzz.com . Read the Original article here. .

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Kitchen of the Week: 1920s Spanish Colonial Charm for an Addition

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This 1920s Spanish Colonial home in Kensington, California, has quite a history, including being the residence of J. Robert Oppenheimer during his time at the University of California, Berkeley. However, the home’s funky kitchen didn’t share that history; it was added on to the back of the home in the 1970s. The homeowner, who loves to cook and to host her grandchildren, looked to Houzz to find a designer when she was ready to remodel. She found interior designer Anne Norton, who came up with a design that would lighten the space and tie it in with the rest of the historic architecture.

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Photos by Peter Lyons Photography

Kitchen at a Glance
Who lives here: A woman and her dog, Teddy
Location: Kensington, California
Size: 252 square feet (23 square meters)
Designer: Anne Norton of AND Interior Design Studio

Before we step inside, take a look at this photo, which shows the home’s classic 1920s Spanish Colonial architecture. It also introduces us to the homeowner’s dog, Teddy.

The homeowner wanted her kitchen to flow with the rest of the home’s historic architecture. “She’s a big cook, she even likes to make her own yogurt and kombucha,” Norton says. She also loves to gather around the kitchen table with friends and family, especially her grandchildren.

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Here’s a peek at the kitchen in the background, beyond the dining room. The arched opening in the foreground is an architectural element that’s repeated throughout the home. The existing opening to the kitchen had been squared off. Norton redesigned the opening, giving it a graceful arch that mimics the others in the house.

The dining room and the other original rooms had high ceilings. But the kitchen addition had a low, flat ceiling covered in dark wood.

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Before: “The kitchen had a much different look than the rest of the house,” Norton says. “It had been strongly influenced by the School of Environmental Design at UC Berkeley in the ’70s. It was very dark, it had post-and-beam architecture, and it had a flat, low, wood-covered ceiling.” You can glimpse the squared-off opening to the dining room at left.

The cabinets were dark-stained Douglas fir, the wood on the ceiling had a dark stain, and the floors were dark. “The layout was good but there wasn’t enough storage,” Norton says. “We also wanted to upgrade the cabinetry with doors and drawers that were easy to open. The goal was to modernize the kitchen while making it feel like it was part of the original architecture.”

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After: While Norton kept the addition’s original footprint and its windows and skylights intact, she looked to the ceiling to help her tie the space to the rest of the home. First she turned to a structural engineer to help remove the post-and-beam structure. Two new large steel beams were installed to hold up the roof. This allowed the designer to raise the ceiling to 9½ feet at the highest point and add a curve to it that was inspired by the arches in the rest of the home. “Raising and curving the ceiling was the most important thing we did,” Norton says. She centered the range and vent hood on the curve. The refrigerator is located at the end of the cabinet run on the right.

With the other elements in the kitchen lightened up, Norton kept the dark floors. “I am a big believer in ‘If it ain’t broke, don’t fix it,’” she says. A Middle Eastern rug adds lightness. “I like the way the soft pale oranges in the rug juxtapose with the green cabinets,” Norton says. “It brings a lot of dynamism to the space.”

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Another important element that ties the kitchen to the rest of the home is the hand-plastered finish on the walls. “We kept the materials in the kitchen simple and honest to let the architecture of the curved ceiling bring the drama,” Norton says. This includes the soft sage green on the cabinets, leathered Absolute Black granite counters and marble subway tiles.

The cabinet profiles are flush inset with simple lines and hardware. And they’re also modern, with lots of inserts and features like spice pullouts, a panel-front dishwasher and trash-recycling pullouts. They have full-extension door and drawer slides, meaning they extend out from the cabinet the full length of the slide when opened, not the typical 75%.

Norton chose Benjamin Moore’s Carolina Gull paint for the cabinets, bringing in a soft, nature-inspired color. The hardware is oil-rubbed bronze. “It will patina over time,” Norton says. This will lend a sense of age that matches other details in the home.

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The Douglas fir windows were a part of the 1970s addition, so Norton added Douglas fir shelves to tie in with them. She notes that being thoughtful about small details was important. “We didn’t float the shelves,” she says. “The little supports that hold up the shelves are an old-world technique. I think it’s these small details that make the kitchen feel authentic.”

The cabinets on either side of the vent hood have decorative metal mesh inserts that give them a lighter feel. Also, Norton had the marble backsplash tiles hand-cut into 4-by-8-inch rectangles. This gives them a stronger presence than if standard 3-by-6-inch tiles had been used.

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This homeowner is a staunch kitchen table person, and the existing expanse of windows provided the perfect spot for one. The table is a Scandinavian piece from the 1800s. The built-in china cabinets to the left are original to the addition and worked well with the renovated kitchen’s architecture.

Norton wanted to create just the right spot for the homeowner’s Keith Haring subway art. “That wall where the art hangs was a wood grid of 12-by-12-inch cubbies that made no sense, so we took them out,” she says. She replaced them with a plastered wall that lightened the room and gave the owner a spot to hang the beloved artwork.

The large windows overlooking the back garden were a great feature of the 1970s addition. “There is a view of wisteria hanging from a trellis, and her chickens come up and look through the windows. I always leave this house loaded up with a dozen eggs,” Norton says with a laugh.

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This article was originally published by a www.houzz.com . Read the Original article here. .

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